Daniel Begay

Santa Clara
Daniel Begay
Carved black jar by Daniel Begay

Born in 1988, Daniel Begay is the son of Navajo artist Harrison Begay, Jr. His father married into Santa Clara Pueblo and became well known for his style of pottery using Santa Clara carving techniques and featuring both Navajo and Santa Clara imagery. While Daniel's work is similar to his father's, his carving is often centered along a diagonal axis and tends to be more freeform, almost like graffiti-style artwork.

Learning the traditional method from his father, Daniel has become an excellent potter with a distinct style of his own, a merging of his personal style with traditional Santa Clara styles.

Traditional Santa Clara ground-fired pottery begins with natural red clays gathered from the hills around the pueblo. After much sifting, grinding and processing Daniel rolls the clay into long thin rolls and each pot is built by layering the rolls one on top of the other and pinching them together. This hand-coiled method includes smoothing the inner and outer surfaces by hand to attain the final shape. The pot is polished by rubbing a smooth wet stone over the piece until the red clay shines. Designs are then carved into the surface and are sometimes accented with the application of a matte slip.

Finally, if a black/brown finish is desired, the piece is fired in an “oxygen reduction” firing process which is created by smothering the fire at the right time with horse manure and ashes. The manure traps a thick, carbon-rich smoke all around the piece which fuses into the clay, turning the surface black. Red pots are created without the "smothering" part of the process.

The entire process is fraught with potential problems and for many potters, only three of every five pieces survive the firing intact. For this reason, potters often view the clay as a living entity; a finished piece is often revered as a gift from whom they often respectfully refer to as the "Clay Mother."

Daniel earned a graduate degree in accounting and another in business administration and is now employed as an academic advisor at the University of New Mexico. He is married and has a daughter, Violet. He still makes pottery in his spare time. He signs his work "Daniel" and adds the year the pot was made.

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved


Santa Clara Pueblo

The Puye Cliff Ruins
Ruins at Puye Cliffs, Santa Clara Pueblo

Santa Clara Pueblo straddles the Rio Grande about 25 miles north of Santa Fe. Of all the pueblos, Santa Clara has the largest number of potters.

The ancestral roots of the Santa Clara people have been traced to the pueblos in the Mesa Verde region in southwestern Colorado. When that area began to get dry between about 1100 and 1300, some of the people migrated to the Chama River Valley and constructed Poshuouinge (about 3 miles south of what is now Abiquiu on the edge of the mesa above the Chama River). Eventually reaching two and three stories high with up to 700 rooms on the ground floor, Poshuouinge was inhabited from about 1375 to about 1475. Drought then again forced the people to move, some of them going to the area of Puye (on the eastern slopes of the Pajarito Plateau of the Jemez Mountains) and others to Ohkay Owingeh (San Juan Pueblo, along the Rio Grande). Beginning around 1580, drought forced the residents of the Puye area to relocate closer to the Rio Grande and they founded what we now know as Santa Clara Pueblo on the west bank of the river, between San Juan and San Ildefonso Pueblos.

In 1598 Spanish colonists from nearby Yunque (the seat of Spanish government near San Juan Pueblo) brought the first missionaries to Santa Clara. That led to the first mission church being built around 1622. However, the Santa Clarans chafed under the weight of Spanish rule like the other pueblos did and were in the forefront of the Pueblo Revolt of 1680. One pueblo resident, a mixed black and Tewa man named Domingo Naranjo, was one of the rebellion's ringleaders. When Don Diego de Vargas came back to the area in 1694, he found most of the Santa Clarans on top of nearby Black Mesa (with the people of San Ildefonso). An extended siege didn't subdue them so eventually, the two sides negotiated a treaty and the people returned to their pueblo. However, successive invasions and occupations by northern Europeans took their toll on the tribe over the next 250 years. The Spanish flu pandemic in 1918 almost wiped them out.

Today, Santa Clara Pueblo is home to as many as 2,600 people and they comprise probably the largest per capita number of artists of any North American tribe (estimates of the number of potters run as high as 1-in-4 residents).

Today's pottery from Santa Clara is typically either black or red. It is usually highly polished and designs might be deeply carved or etched ("sgraffito") into the pot's surface. The water serpent, ("avanyu"), is a traditional design motif of Santa Clara pottery. Another motif comes from the legend that a bear helped the people find water during a drought. The bear paw has appeared on their pottery ever since.

One of the reasons for the distinction this pueblo has received is because of the evolving artistry the potters have brought to the craft. Not only did this pueblo produce excellent black and redware, several notable innovations helped move pottery from the realm of utilitarian vessels into the domain of art. Different styles of polychrome redware emerged in the 1920's-1930's. In the early 1960's experiments with stone inlay, incising and double firing began. Modern potters have also extended the tradition with unusual shapes, slips and designs, illustrating what one Santa Clara potter said: "At Santa Clara, being non-traditional is the tradition." (This refers strictly to artistic expression; the method of creating pottery remains traditional).

Santa Clara Pueblo is home to a number of famous pottery families: Tafoya, Baca, Gutierrez, Naranjo, Suazo, Chavarria, Garcia, Vigil, Tapia - to name a few.

Harvest, Santa Clara Pueblo c. 1912
Courtesy Museum of New Mexico Neg. No. 4128

Santa Clara Pueblo c. 1920
Courtesy Museum of New Mexico Neg. No. 4214

Santa Clara Pueblo location map
For more info:
at Wikipedia
Pueblos of the Rio Grande, Daniel Gibson, ISBN-13:978-1-887896-26-9, Rio Nuevo Publishers, 2001
Upper photo courtesy of Einar Kvaran, Creative Commons Attribution-Share Alike 3.0 Unported License

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved