Jackie & Mike Torivio

Acoma

"If artists use traditional methods, they will find that they can make quality pieces that satisfy collectors and themselves, and can slow down and enjoy their work."

Jackie Torivio was born into Acoma Pueblo in November 1957. Her heritage is Acoma/Hopi/Laguna. Jackie learned how to make pottery as she was growing up, through watching and working with her mother and grandmother. They would make a pot, outline a design and give it to Jackie to fill in the voids.

These days, Jackie usually works with her husband, Michael Torivio. He probably never would have touched clay if it hadn't been for Jackie and her mother. They gave him a piece of clay one day and he made a good bowl very quickly. Everyone was surprised at how quickly he learned the process.

Now, Michael makes all their traditional and non-traditional polychrome bowls, jars, wedding vases and seed pots while Jackie paints them with intricate designs based on ancient designs.

Jackie and Michael began exhibiting at the Santa Fe Indian Market around 1990 and earned a string of First, Second and Third Place awards lasting more than a decade. They've also exhibited at the Heard Museum Guild Indian Arts Fair & Market, earning more awards there. Mike and Jackie were also the first Native American artists picked for the Washington Craft Show put on by the Smithsonian Women's Committee.

Some Awards won by Jackie

  • 1999 Santa Fe Indian Market, Classification II - Pottery, Division F - Traditional pottery, painted designs on matte or semi-matte surface, all forms except jars (in the style of Hopi, Acoma, Laguna, Zia, Santa Ana, San Ildefonso, Santo Domingo, Cochiti, Zuni & related styles), Category 1302 - Seed bowls (over 7" in diameter): Third Place
  • 1999 Santa Fe Indian Market, Classification II - Pottery, Division J - Pottery Miniatures, Category 1602 - Traditional forms, jars, Acoma, Laguna style: Third Place
  • 1998 Santa Fe Indian Market, Classification II - Pottery, Division J - Pottery Miniatures, Category 1606 - Traditional forms, vases (including wedding vases), black: Second Place
  • 1995 Santa Fe Indian Market, Classification II - Pottery, Division F - Traditional pottery, painted designs on matte or semi-matte surface, jars, Category 1303 - Jars, Acoma or Laguna (up to 7 inches tall): Second Place. Awarded for a collaborative artwork with Mike Torivio
  • 1995 Santa Fe Indian Market, Classification II - Pottery, Division G - Traditional pottery, painted designs on matte or semi-matte surface, all forms but jars, Category 1401 - Seed bowls (up to 7 inches in diameter): First Place. Awarded for a collaborative artwork with Mike Torivio
  • 1995 Heard Museum Guild Indian Art Fair & Market, Classification IV - Jewelry/Lapidary, Division B - Small Personal Adornment: Honorable Mention. Awarded for a collaborative artwork with Mike Torivio: Pottery Earrings
  • 1994 Santa Fe Indian Market, Classification II - Pottery, Division G - Traditional pottery, painted designs on matte or semi-matte surface, all forms except jars (in the style of Hopi, Acoma, Laguna, Zia, Santa Ana, San Ildefonso, Santo Domingo, Cochiti, Zuni & related styles), Category 1401 - Seed bowls (up to 7 inches in diameter): First Place
  • 1994 Santa Fe Indian Market, Classification II - Pottery, Division J - Non-traditional, any forms using non-traditional materials or techniques, Category 1602 - Jars and vases, painted (other than stoneware): First Place & Third Place
  • 1994 Santa Fe Indian Market, Classification II - Pottery, Division J - Non-traditional, any forms using non-traditional materials or techniques, Category 1609 - Jewelry: Third Place
  • 1993 Santa Fe Indian Market, Classification II - Pottery, Division J - Non-traditional, any forms using non-traditional materials or techniques, Category 1604 - Bowls (other than stoneware): Third Place
  • 1992 Santa Fe Indian Market, Classification II - Pottery, Division J - Non-traditional, any forms using non-traditional materials or techniques, Category 1604 - Bowls (other than stoneware): First Place
  • 1991 Santa Fe Indian Market, Classification II - Pottery, Division K - Pottery miniatures, Category 1703 - Traditional forms, seed bowls: First Place
  • 1991 Santa Fe Indian Market, Classification II - Pottery, Division K - Pottery miniatures, Category 1703 - Traditional forms, seed bowls: Second Place
  • 1991 Santa Fe Indian Market, Classification II - Pottery, Division K - Pottery miniatures, Category 1707 - Non-traditional forms: Third Place
  • 1990 Santa Fe Indian Market, Classification II - Pottery, Division J - Non-traditional, any forms using non-traditional materials or techniques, Category 1402 - Jars & vases, painted (other than stoneware): First Place
  • 1990 Santa Fe Indian Market, Classification II - Pottery, Division J - Non-traditional, any forms using non-traditional materials or techniques, Category 1411 - Miscellaneous: Third Place

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

 

Acoma Pueblo

Acoma from the air
Sky City

According to Acoma oral history, the sacred twins led their ancestors to "Aaku," a magical mesa composed mostly of white rock, and instructed those ancestors to make that mesa their home. Acoma Pueblo is called "Sky City" because of its position atop the mesa. Acoma is located about 60 miles west of Albuquerque.

According to some archaeologists, a large group of Keres-speaking people left the Chaco Canyon area in the late 900s. They headed south, around the west side of the Mount Taylor volcano and across the Rio San Jose to Aaku, where they merged into a pueblo of people already living there.

Acoma, Old Oraibi (at Hopi) and Taos all lay claim to being the oldest continuously inhabited community in the U.S. Those competing claims are hard to settle as each village can point to archaeological remnants close by to substantiate each village's claim. While the people of Acoma have an oral tradition that says they've been living in the same area for more than 2,000 years, some archaeologists feel more that the present pueblo was established near the end of the major migrations of the 1200s and 1300s. The location is essentially on the boundary between the Mimbres-Mogollon to the south and west, and Ancestral Puebloan cultures to the north and east. Each of those cultures has had an impact on the styles and designs of Acoma pottery, especially since modern potters have been getting the inspiration for many of their designs from ancient potsherds they have found while walking on pueblo lands.

Francisco Vasquez de Coronado ascended the cliff to visit the Acomas in 1540. He afterward wrote that he "repented having gone up to the place." But the Spanish came back again, and kept coming back. In 1598 relations between the Spanish and the Acomas took a really bad turn with the arrival of Don Juan de Oñaté and the soldiers, settlers and Franciscan monks that accompanied him. After ascending to the mesa top, Oñaté decided to force the Acomas to swear loyalty to the King of Spain and to the Pope. When the Acomas realized what the Spanish meant by that, a group of Acoma warriors attacked a group of Spanish soldiers and killed 11 of them, including one of Oñaté's nephews.

Don Juan de Oñaté retaliated by attacking the pueblo, burning most of it and killing more than 600 people. Another 500 people were imprisoned by the Spanish: males between the ages of 12 and 25 were sold into slavery and 24 men over the age of 25 had their right foot amputated. Many of the women over the age of 12 were also forced into slavery and were eventually parceled out among Catholic convents in Mexico City. Two Hopi men also captured at Acoma had one hand cut off. Then they were released and sent home to spread the word about Spain's resolve to subjugate the inhabitants of Nuevo Mexico.

When word of the massacre and the punishments meted out got back to King Philip in Spain, he banished Don Juan de Oñaté from Nuevo Mexico. Some Acomas had escaped that fateful Spanish attack and returned to the mesa top in 1599 to begin rebuilding. In 1620 a Royal Decree was issued establishing civil offices in each pueblo, and Acoma had its first governor appointed. Those governors met at Santo Domingo Pueblo at the All Pueblos Council, the first democratic institution in the Americas, an institution that is still functioning.

By 1680, the situation between the pueblos and the Spanish had deteriorated to the point where the Acomas were extremely willing participants in the 1680 Pueblo Revolt. After the successful Pueblo Revolt, the Spanish retreated to Mexico. Refugees from other pueblos began arriving at Acoma, fearing an eventual Spanish return and reprisals. That strained the resources of Acoma until the Spanish actually did return. Then residents of the pueblo had to make a difficult decision. Many of the refugees chose to try a peaceful solution: they relocated to the ancient Laguna area and made peace with the Spanish as soon as they appeared in the region. Acoma made peace with the Spanish soon after.

Over the next 200 years, Acoma suffered from outbreaks of smallpox and other European-introduced diseases to which they had no natural immunity. They also sided with the Spanish against raiders from the Navajo and Apache tribes. Then New Mexico changed hands a couple times, the railroads arrived and, like every other Native American pueblo, the Acoma people became dependent on inexpensive goods brought in from the outside world.

For many years the villagers were content on the mesa top and they kept advances in technology below. Now most live in villages on the valley floor where water, electricity, natural gas and other "luxuries" are easily available. While a few families still make their permanent home on the mesa top, the old pueblo is used almost exclusively for ceremonies and celebrations these days.

Historically, Acoma was known for large, thin-walled "ollas," jars used for storing food and water. With the arrival of the railroad and tourists in the 1880s, Acoma potters adapted the size, shapes and styles of their pots in order to appeal to the new buyers.

Up into the mid-1960s, most Acoma potters felt it was an inappropriate display of ego to sign their pots. Then Kenneth Chapman convinced Lucy Lewis, Jessie Garcia and Marie Z. Chino of the value of their signatures and they started signing their pieces. The 1960s is also a time when the primary Acoma white clay vein passed through a layer of widely distributed impurities, impurities that passed through the clay filtering process and showed up only during and after the firing. The problem was so bad it affected virtually every Acoma potter and every pot they made. Thankfully, by the late 1960s they had burrowed through that layer of clay and into a deeper layer that didn't have the problem.

Acoma Pueblo c. 1923
Acoma Pueblo c. 1932
Map showing location of Acoma Pueblo
For more info:
at Wikipedia
official website
Pueblos of the Rio Grande, Daniel Gibson, ISBN-13:978-1-887896-26-9, Rio Nuevo Publishers, 2001
Upper photo courtesy of Marshall Henrie, Creative Commons Attribution-Share Alike 3.0 Unported License

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved