Artist: Daryl Whitegeese
Pueblo: Santa Clara and Pojoaque
Dimensions: 17 1/2 in H by 8 1/4 in Dia
Item Number: csscg9328
Price: $ 7500
Description: Black wedding vase carved with geometric design
Condition: Excellent
Signature: Daryl D. Whitegeese

 
 

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234
www.andreafisherpottery.com
All Rights Reserved

 


 

Daryl Whitegeese

Santa Clara/Pojoaque
Daryl Whitegeese
 

Daryl Whitegeese was born in March, 1964 to LuAnn Tafoya of Santa Clara Pueblo and Sosi Tapia of Pojoaque Pueblo. He learned the basics of the traditional art of making pottery from his mother as he was growing up but he also grew up in a family where everyone was a potter. He says he produced his first pot on his own when he was about 32. He enjoyed it so much that by the time he was 40 he was a full-time potter. Prior to that, he'd been working at Digital Equipment Corporation as a systems administrator for 14 years.

After leaving DEC he returned to Santa Clara Pueblo and took on some free-lance computer work. That's how he met his wife, Rosemary Hardy at Pojoaque Pueblo. They were married in 1997 and now have 3 daughters and 3 granddaughters.

Over the years since he began making pots Daryl has participated in the SWAIA Santa Fe Indian Market, the Heard Museum Guild Indian Art Fair and the Eiteljorg Museum of the American Indian (in Indianapolis), earning multiple ribbons at all three, including ribbons for Excellence in Traditional Arts, Best of Division, 1st Place, 2nd Place, 3rd Place and Best of Traditional Pottery.

When we asked him where he gets his inspiration he immediately said "Mom and Grandma" (meaning LuAnn and Margaret Tafoya). He said his favorite shape to make is the red water jar with a bear paw imprint, "just like Mom and Grandma used to make." He also loves to decorate his pots with traditional designs, using his own distinctive carving style on a surface polished to a mirror-like, high lustre finish.

While we were talking to him Daryl told us he loves music, especially blues and jazz. He also loves to go to Bronco games in the winter. When he's not busy making pots he's probably somewhere with his family, "spoiling the kids."



100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234
www.andreafisherpottery.com
All Rights Reserved


 

Santa Clara Pueblo

The Puye Cliff Ruins
Ruins at Puye Cliffs, Santa Clara Pueblo

Santa Clara Pueblo straddles the Rio Grande about 25 miles north of Santa Fe. Of all the pueblos, Santa Clara has the largest number of potters.

The ancestral roots of the Santa Clara people have been traced to the pueblos in the Mesa Verde region in southwestern Colorado. When that area began to get dry between about 1100 and 1300, some of the people migrated to the Chama River Valley and constructed Poshuouinge (about 3 miles south of what is now Abiquiu on the edge of the mesa above the Chama River). Eventually reaching two and three stories high with up to 700 rooms on the ground floor, Poshuouinge was inhabited from about 1375 to about 1475. Drought then again forced the people to move, some of them going to the area of Puye (on the eastern slopes of the Pajarito Plateau of the Jemez Mountains) and others to Ohkay Owingeh (San Juan Pueblo, along the Rio Grande). Beginning around 1580, drought forced the residents of the Puye area to relocate closer to the Rio Grande and they founded what we now know as Santa Clara Pueblo on the west bank of the river, between San Juan and San Ildefonso Pueblos.

In 1598 Spanish colonists from nearby Yunque (the seat of Spanish government near San Juan Pueblo) brought the first missionaries to Santa Clara. That led to the first mission church being built around 1622. However, the Santa Clarans chafed under the weight of Spanish rule like the other pueblos did and were in the forefront of the Pueblo Revolt of 1680. One pueblo resident, a mixed black and Tewa man named Domingo Naranjo, was one of the rebellion's ringleaders. When Don Diego de Vargas came back to the area in 1694, he found most of the Santa Clarans on top of nearby Black Mesa (with the people of San Ildefonso). An extended siege didn't subdue them so eventually, the two sides negotiated a treaty and the people returned to their pueblo. However, successive invasions and occupations by northern Europeans took their toll on the tribe over the next 250 years. The Spanish flu pandemic in 1918 almost wiped them out.

Today, Santa Clara Pueblo is home to as many as 2,600 people and they comprise probably the largest per capita number of artists of any North American tribe (estimates of the number of potters run as high as 1-in-4 residents).

Today's pottery from Santa Clara is typically either black or red. It is usually highly polished and designs might be deeply carved or etched ("sgraffito") into the pot's surface. The water serpent, ("avanyu"), is a traditional design motif of Santa Clara pottery. Another motif comes from the legend that a bear helped the people find water during a drought. The bear paw has appeared on their pottery ever since.

One of the reasons for the distinction this pueblo has received is because of the evolving artistry the potters have brought to the craft. Not only did this pueblo produce excellent black and redware, several notable innovations helped move pottery from the realm of utilitarian vessels into the domain of art. Different styles of polychrome redware emerged in the 1920's-1930's. In the early 1960's experiments with stone inlay, incising and double firing began. Modern potters have also extended the tradition with unusual shapes, slips and designs, illustrating what one Santa Clara potter said: "At Santa Clara, being non-traditional is the tradition." (This refers strictly to artistic expression; the method of creating pottery remains traditional).

Santa Clara Pueblo is home to a number of famous pottery families: Tafoya, Baca, Gutierrez, Naranjo, Suazo, Chavarria, Garcia, Vigil, Tapia - to name a few.

Harvest, Santa Clara Pueblo c. 1912
Courtesy Museum of New Mexico Neg. No. 4128

Santa Clara Pueblo c. 1920
Courtesy Museum of New Mexico Neg. No. 4214
Santa Clara Pueblo location map

For more info:
at Wikipedia
Pueblos of the Rio Grande, Daniel Gibson, ISBN-13:978-1-887896-26-9, Rio Nuevo Publishers, 2001
Upper photo courtesy of Einar Kvaran, Creative Commons Attribution-Share Alike 3.0 Unported License



100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234
www.andreafisherpottery.com
All Rights Reserved


 

Pojoaque Pueblo

The Poeh Culture Center
Poeh Culture Center at Pojoaque

The Pojoaque Pueblo area was first settled around 500 AD and the population grew until it peaked in the 1500's. That was about the same time the Spanish first arrived. The first Franciscan mission was built at the pueblo in the early 1600's but the people were already hurting under the impact of Spanish taxes, forced labor and continuous efforts to force conversion to Christianity. That all added up to Pojoaque being in the forefront of the Pueblo Revolt of 1680. Immediately following the revolt, Pojoaque was abandoned and wasn't resettled until about 1706 when many Pojoaque's trickled back from the Cuartelejo area on the plains of west Kansas. By then the major Spanish retributions had died down and it was relatively safe to return, surrender and pledge allegiance anew. Franciscans were also being replaced with Jesuits and the religious fervor receded from the heights reached during the Inquisition.

The population of the reestablished pueblo grew slowly but they saw increasing problems from non-Indian encroachment until President Abraham Lincoln recognized the pueblo as an official tribe. Some documents say he awarded the tribe with an official land grant in 1864 and gave a silver cane to the tribe's governor. Other documents say the tribe was given a quit-claim deed... However it worked out, the tribe did gain some legal standing and was able to reestablish its presence until 1900 when a severe smallpox epidemic caused the pueblo to be abandoned again (the Cacique (the tribe's religious leader) died and Governor Jose Antonio Tapia left the reservation to find work).

In 1934 the Commissioner of Indian Affairs placed newspaper ads around the area calling for all Pojoaque tribal members to come back and reoccupy the pueblo lands or tribal ownership would be dissolved under the Indian Re-Organization Act. Shortly, 14 members of the Villareal, Tapia, Romero and Gutierrez/Montoya families were awarded land grants from the Pueblo land base. By 1936 tribal enrollment reached 263 members and Pojoaque became a Federally recognized Indian Reservation.

During the time of abandonment, many Pojoaque tribe members moved to nearby Santa Clara and San Juan Pueblos. Those Pojoaque who were making pottery at the time learned new things from their neighbors and when they later returned to Pojoaque, traditional pottery making changed with all the cross-pollination of styles and designs. Some potters, though, returned to making only traditional Pojoaque styles and designs. Today there is hardly any pottery being made at Pojoaque as so many tribal members are employed in one or another of the tribe's many commercial enterprises.

Location map for Pojoaque Pueblo

For more info:
at Wikipedia
official website




100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234
www.andreafisherpottery.com
All Rights Reserved

The Story of
the Wedding Vase

as told by Teresita Naranjo of Santa Clara Pueblo

Wedding vase by Helen Naha

Helen Naha
Hopi
Red wedding vase with sgraffito geometric design

Wilma Baca Tosa
Jemez Pueblo
Avanyu design carved into a black wedding vase

Margaret Tafoya
Santa Clara Pueblo

The Wedding Vase has been used for a long, long time in Indian Wedding Ceremonies.

After a period of courtship, when a boy and girl decide to get married, they cannot do so until certain customs have been observed. The boy must first call all his relatives together to tell them that he desires to be married to a certain girl. If the relatives agree, two or three of the oldest men are chosen to call on the parents of the girl. They pray according to Indian custom and the oldest man will tell the parents of the girl what their purpose is in visiting. The girl’s parents never give a definite answer at this time, but just say that they will let the boy’s family know their decision later.

About a week later, the girl calls a meeting of her relatives. The family then decides what answer should be given. If the answer is “no” that is the end of it. If the answer is “yes” then the oldest men in her family are delegated to go to the boy’s home, and to give the answer, and to tell the boy on what day he can come to receive his bride-to-be. The boy must also notify all of his relatives on what day the girl will receive him, so that they will be able to have gifts for the girl.

Now the boy must find a Godmother and Godfather. The Godmother immediately starts making the wedding vase so that it will be finished by the time the girl is to be received. The Godmother also takes some of the stones which have been designated as holy and dips them into water, to make it holy water. It is with this holy water that the vase is filled on the day of the reception.

The reception day finally comes and the Godmother and Godfather lead the procession of the boy’s relatives to the home of the girl. The groom is the last in line and must stand at the door of the bride’s home until the gifts his relatives have brought have been opened and received by the bride.

The bride and groom now kneel in the middle of the room with the groom’s relatives and the bride’s parents praying all around them. The bride then gives her squash blossom necklace to the groom’s oldest male relative, while the groom gives his necklace to the bride’s oldest male relative. After each man has prayed, the groom’s necklace is placed on the bride, and the bride’s is likewise placed on the groom.

After the exchange of squash blossom necklaces and prayers, the Godmother places the wedding vase in front of the bride and groom. The bride drinks out of one side of the wedding vase and the groom drinks from the other. Then, the vase is passed to all in the room, with the women all drinking from the bride’s side, and the men from the groom’s.

After the ritual drinking of the holy water and the prayers, the bride’s family feeds all the groom’s relatives and a date is set for the church wedding. The wedding vase is now put aside until after the church wedding.

Once the church wedding ceremony has occurred, the wedding vase is filled with any drink the family may wish. Once again, all the family drinks in the traditional manner, with women drinking from one side, and men the other. Having served its ceremonial purpose, the wedding vase is given to the young newlyweds as a good luck piece.


100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234
www.andreafisherpottery.com
All Rights Reserved


 

Margaret Tafoya Family Tree

Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.


Serafina Tafoya (1863-1949) & Geronimo Tafoya
Her children who became potters:
  • Margaret Tafoya (1904-2001) & Alcario Tafoya (d. 1995)
    Their descendants who became potters:
    • Mary Ester Archuleta (1942-2010)
    • Jennie Trammel (1929-2010)
    • Virginia Ebelacker (1925-2001)
      Her descendants who became potters:
      • James Ebelacker (b. 1960)
      • Richard Ebelacker (1946-2010) & Yvonne Ortiz
        Their descendants who became potters:
        • Jason Ebelacker
        • Jerome Ebelacker
    • Lee Tafoya (1926-1996) & Betty Tafoya
      Their descendants who became potters:
      • Linda Oyenque Tafoya (b. 1962)
    • Mela Youngblood (1931-1990)
      Her descendants who became potters:
      • Nancy Youngblood (b. 1955)
      • Nathan Youngblood (b. 1954)
    • Toni Roller (b. 1935)
      Her descendants who became potters:
      • Cliff Roller (b. 1961)
      • Jeff Roller (b. 1963)
        His descendants who became potters:
        • Jordan Roller
        • Ryan Roller
      • Susan Roller (b. 1955)
      • Tim Roller (b. 1959)
    • LuAnn Tafoya (b. 1938)
      Her descendants who became potters:
      • Michele Tafoya Browning (b. 1960)
      • Daryl Duane Whitegeese (b. 1964)
    • Shirley Cactus Blossom Tafoya (b. 1947)
  • Christina Naranjo (1891-1980)
    Her descendants who became potters:
    • Mary Cain (1916-2010)
      Her descendants who became potters:
      • Billy Cain (1950-2005)
      • Joy Cain (b. 1947)
      • Linda Cain (b. 1949)
        Her descendants who became potters:
        • Autumn Borts (b. 1967)
        • Tammy Garcia (b. 1969)
    • Teresita Naranjo (1919-1999)
      Her descendants who became potters:
      • Stella Chavarria (b. 1939)
        Her descendants who became potters:
        • Denise Chavarria (b. 1959)
        • Joey Chavarria (1964-1987)
        • Sunday Chavarria (b. 1963)
    • Cecilia Naranjo
      Her descendants who became potters:
      • Sharon Naranjo Garcia (b. 1951)
      • Judy Tafoya (b. 1962) & Lincoln Tafoya (b. 1954)
    • Mida Tafoya (b. 1931)
      Her descendants who became potters:
      • Sherry Tafoya (b. 1956)
      • Phillis & Mathew Tafoya
        Their descendants who became potters:
        • Marlin & Phyllis Hemlock
      • Ethel Vigil
        Her descendants who became potters:
        • Kimberly Garcia
  • Camilio Tafoya (1902-1995) & Agapita Silva (1904-1959)
    Their descendants who became potters:
    • Joe Tafoya & Lucy Year Flower (1935-2012)
      Their descendants who became potters:
      • Myra Little Snow (b. 1962)
    • Joseph Lonewolf (1932-2014) & Katheryn
      Their descendants who became potters:
      • Greg Lonewolf (b. 1952)
      • Rosemary Apple Blossom Lonewolf (b. 1954) & Paul Speckled Rock (1952-2017)
        Their descendants who became potters:
        • Adam Speckled Rock
      • Susan Romero
    • Grace Medicine Flower (b. 1938)


100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234
www.andreafisherpottery.com
All Rights Reserved