Sepia seed pot with sgraffito corn plant and feather design
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Pearl Talachy, Nambe, Sepia seed pot with sgraffito corn plant and feather design
Pearl Talachy
Nambe
2 1/4 in H by 4 in Dia
czpog9040
$ SOLD
Sepia seed pot with sgraffito corn plant and feather design
Condition: Very good
Signature: Pearl Talachy Nambe Pueblo NM

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Nambé Pueblo

Nambe Pueblo kiva
The main kiva at Nambé Pueblo

Nambé Pueblo was settled in the early 1300's when a group of Ancestral Puebloans (Anasazi) made their way from what is now the Bandelier National Monument area closer to the Rio Grande in search of more reliable water sources and more arable land.

At first they settled mostly high in the mountains, coming down to the river valleys in the summer to grow crops. Eventually, they felt safe enough to stay in the valleys and the high mountain villages were slowly abandoned.

When the Spanish first arrived, they found Nambé to be a primary economic, cultural and religious center for the area. That attracted a large Spanish presence and the nature of that presence caused the Nambé people to join wholeheartedly in the Pueblo Revolt of 1680 and throw out the Spanish oppressors.

When the Spanish returned in 1692, their rule was significantly less harsh. However, the Spanish were responsible for bringing horses into the New World and as the Spanish population increased, so did the number of horses. That brought more and more raids from the Comanches as they came for horses and whatever else of value they could carry away. The Comanches were finally subdued by Governor Juan Bautista de Anza in the 1770's but by then, the impact of European diseases was being strongly felt. It was a smallpox epidemic in the late 1820's that virtually ended the making of pottery at Nambé.

The Nambé pottery tradition is similar to that of Taos and Picuris in their use of micaceous clay slips but Nambé potters also used to produce white on red and black on black products. When Lonnie Vigil began producing his micaceous clay masterpieces about 25 years ago, he almost single-handedly jump-started the revival of pottery making in the pueblo.

Location map for Nambe Pueblo

For more info:
at Wikipedia
official website
Photo courtesy of John Phelan, Creative Commons Attribution-Share Alike 3.0 Unported License

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Seed Pots

Acoma, Hopi, Isleta, Jemez, Laguna, San Felipe, San Ildefonso, San Juan, Santa Clara
Seed pot jar
Sandra Victorino
Acoma Pueblo
Micaceous black Hopi seed pot
Preston Duwyenie
Hopi
Santa Clara Pueblo seed pot
Camilio Tafoya
Santa Clara Pueblo
 

It was a matter of survival to the ancient Native American people that seeds be stored properly until the next planting season. Small, hollow pots were made to ensure that the precious seeds would be kept safe from moisture, light and rodents. After seeds were put into the pot, the small hole in the pot was plugged. The following spring the plug was removed and the seeds were shaken from the pot directly onto the planting area.

Today, seed pots are no longer necessary due to readily available seeds from commercial suppliers. However, seed pots continue to be made as beautiful, decorative works of art. The sizes and shapes of seed pots have evolved and vary greatly, depending on the vision of Clay Mother as seen through the artist. The decorations vary, too, from simple white seed pots with raised relief to multi-colored painted, raised relief and sgraffito designs, sometimes with inlaid gemstones and silver lids.

 
Seed pot with sgraffito design and silver lid

Debra Duwyenie
Santa Clara Pueblo
Jemez Pueblo seed pot

Dominique Toya
Jemez Pueblo
Acoma Pueblo seed pot

Lucy Lewis
Acoma Pueblo
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